曾彥文 Yen-Wen Tseng
About KISISF Artists
曾彥文 Yen-Wen Tseng
2010年自瑞典Konstfack工業設計研究所畢業後，2011年回到台中設立工作室，發掘現代日常中的簡約實用美感。藉由人們與環境互動的觀察及源於材料和生產技術的啟發，呈現獨特細膩的作品。2015年創立生活用品品牌NAKNAK，擔任設計總監職務。
曾與芬蘭iittala、美國MoMA、嘉美館和作，推動台北捷運中山站改造案公共設施物設計，澎湖馬公南海候船室海廢座椅設計，台電退役變電箱再製計畫等。
Yen-Wen Tseng, a graduate of Sweden's Konstfack, founded his studio in Taichung in 2011, drawing inspiration from daily life's minimalist aesthetics. Guided by materials and production techniques, he crafts unique and refined designs reflecting modern practicality. As Design Director of NAKNAK since 2015, Tseng collaborates with global entities like iittala and MoMA. His diverse projects span public seating for Chiayi Municipal Art Museum, Taipei Metro Zhongshan Station renovation, and innovative designs like a sea waste seat at Magong Nanhai Ferry Terminal and Taiwan Power Company's retired electrical substations recycling project.
曾彥文
Yen-Wen Tseng
個人作品
鋼 質
Steel . Essence
關注公共空間設施物件功能美學，希望探討身為臺灣鋼鐵業重鎮的高雄，如果將鋼鐵的材質屬性、加工特性等作為公共設施物件的表現，成為隨處可見的城市意象。 此次挑選公共垃圾桶作為表現題材，結合高雄在地鋼鐵加工業者一同打造半實驗的展示作品。期望在城市街道及公園，像垃圾桶這樣看似純粹功能性的物件，也能同時成為點綴生活、點亮城市的雕塑品。
Exploring the fusion of functional aesthetics and Kaohsiung's steel industry, this project envisions the cityscape using steel's properties in public facilities. Focusing on public garbage bins, the collaboration with local steel manufacturers aims to turn them into functional sculptures. This semi-experimental showcase seeks to transform mundane objects into urban art, emphasizing both practicality and aesthetic enhancement. The goal is to create a ubiquitous urban entrance image, where everyday elements like garbage bins become miniature works of art, reflecting the texture and essence of the city.