測不準工作室 Uncertain Studio

測不準工作室 Uncertain Studio

測不準工作室以微型技術劇場為發想，開發不同場域的表演美學，致力於結合低科技裝置、物件、音樂、聲音與光影的時間性藝術創作。以簡易的編制遊走於劇場、美術場域及另類空間之間。以視聽感官主導的美學取向為出發點，近年來更著重以不同形式關注週遭環境，以提問的方式切入社會議題。 本次創作團隊成員為許雁婷、黃勤芳、温思妮、曾彥婷。

With backgrounds in theatre design, Uncertain Studio creates micro-technical theatre, by building time-based art works that consist of low-tech installations, objects, sounds and shadows in various environments. In recent years, they have been moving from an aesthetics-based approach into a more experimental one in the forms of dialogue with which we might approach societal issues. The creative team of this work are Yen-Ting Hsu, Ching-Fang Huang, Sz-Ni Wen, and Yen-Ting Tseng.

nothing to see here

nothing to see here

高雄是一個在戰火中顛簸，也在此中茁壯的城市。二戰期間成為日本的南進基地，被賦予工業城市的身分，後因美軍轟炸，日軍自沉船艦封港。從1948年唐榮鐵工廠打撈日本軍艦米利丸開始，腐朽化為神奇，高雄很快以拆船王國之名享譽國際。在拆卸切割的火光中，是危險而炙熱的發達夢。大船拆解下來的鋼鐵和零件，轉動了重工業與許多產業的齒輪，而這一切都在1986年大仁宮拆船碼頭爆炸後戛然而止。

（已不存）（已改建）（已拆除）.....

資料來源：維基百科。

我們走失了所有日殖時期的鐵工所、戲獅甲工業區，以及這城市過往的工業足跡，轉眼間入目的變成唯美浪漫的旋轉木馬。

Kaohsiung, resilient amid war, played a vital role during WWII as Japan's industrial base. U.S. bombings forced closure of the harbor, leading to a transformative moment in 1948 when Tang Jung Iron Works salvaged the Mirimaru, sparking the Shipbreaking Kingdom era. The city thrived on dismantling ships until a tragic 1986 explosion at Daren Palais Shipbreaking Dock halted operations.

We now lost all the Japanese colonial-era ironworks, Xishiga industrial area, and the city's industrial footprints from the past, which turned into a beautiful and romantic carousel.